2008 Summer Video Roundup, Vol. I
7/2/08
"The Wire", Season Three (12 one-hour
episodes)
My biggest fear with the end of the third
season of "The Wire"? Knowing that there are only two seasons
left, you want to savor television this good for as long as you can.
The show's third season--which revolves mainly around politics in
the Baltimore city congress, the mayor, and the chief of police, as
well as the "Hamsterdam" drug zone idea by Major "Bunny" Colvin
(Robert Wisdom)--is great for all of the reasons the first two
seasons were great...the cops are fun, smart, and just really well
drawn people, the crooks (thanks to Avon Barksdale and Stringer Bell
back together) are just as smart, and the mini-plots that pop up
each episode are always worth it. And, how great was the
secondary storyline featuring former boxer-turned-con-turned-good
guy "Cutty" Wise (Chad Coleman)? Season Four is sitting on top
of my DVD player...
Rating: Opening Weekend
"Maxed Out"
I was chatting with my friend Brian "Hummer of Doom" Prenoveau
earlier today about watching this film and realizing just how dumb
(or possibly ignorant, or just plain stubborn) the majority of
Americans appear to be when it comes to understanding credit card
debt, credit card companies in general, and what it means to borrow
money against a bank anxious to hit you with fees that run as high
as 30% of your total balance...people, don't carry the debt and
don't stick to minimum payments! While "Maxed Out" profiles a
number of stories of Americans hit hard by debt, it is really just
an average film, but another in a series of wake-up calls that
people are getting from sources trying to help people understand
that a) $20,000 in credit card debt is WAY bad, b) Visa doesn't lend
you money, banks do, and c) when you are in college, you should
generally avoid credit cards, even as issuers hound kids at every
turn trying to get them to sign up. What a mess debt is in
this country!!!
Rating: $9.50 Show
"Lilies of the Field"
Man, that Sidney Poitier was something else back in the day.
His Academy Award-winning turn as a handyman/wanderer who happens
upon a home of poor German nuns is good stuff then and now, but Best
Picture-nominee good? That is what makes the films of
yesteryear so interesting to watch; somehow, the film stays away
from race issues between blacks and whites and turns it into race
issues between blacks (represented solely here by Poitier) and
Mexicans (not Latinos, back in '64 when this film came out).
Lots of interesting stuff in this film, and while it is
cool/uncomfortable watching Poitier teach the nuns how to sing
soul/church music, the cinematography was great and I love the way
the film gives us what it's got, and not a frame more...nothing is
better here than the ending, when we get to see the result of the
wanderer's attempts to help the nuns build a church from scratch.
Rating: $9.50 Show
"The Wire", Season Four (13 one-hour episodes)
You can tell that a show is character-heavy and expansive when
all of the main characters from a show just three seasons ago are
ALL secondary characters on the same show now. That's the case
with "The Wire", which spends its fourth season following a
different criminal (Marlo) with different enforcers (Chris and
Snoop), different cops generally trying to catch those criminals
(although all of the former regulars, like Daniels, Carver, Keema
and McNulty, make appearances here and there), and two completely
new subplots: following former council leader Tommy Carcetti in his
run for mayor, and following a number of kids in middle and high
school who are on the way to becoming hoppers and corner kids.
Strangely, "The Wire" is still excellent drama, but it's not
excellent from the standpoint of the traditionalist (i.e., ME): I
loved the wiretapping of seasons one and two, so until we get to the
season finale of season four, we get zero crime work from the former
group known as Major Crimes Unit...but the set-up for the fifth
(and, final) season looks like a doozy.
Rating: $9.50 Show
Comments? Drop me a line at
justin@bellviewmovies.com.
Bellview Rating System:
"Opening Weekend": This is
the highest rating a movie can receive. Reserved for movies that
exhibit the highest level of acting, plot, character development,
setting...or Salma Hayek. Not necessarily in that order.
"$X.XX Show": This price
changes each year due to the inflation of movie prices; currently,
it is the $9.50 Show. While not technically perfect, this is a
movie that will still entertain you at a very high level.
"Undercover Brother" falls into this category; it's no "Casablanca",
but you'll have a great time watching. The $9.50 Show won't win any
Oscars, but you'll be quoting lines from the thing for ages (see
"Office Space").
"Matinee": An average movie
that merits no more than a $6.50 viewing at your local theater.
Seeing it for less than $9.50 will make you feel a lot better about
yourself. A movie like "Blue Crush" fits this category; you leave
the theater saying "That wasn't too bad...man, did you see that
Lakers game last night?"
"Rental": This rating
indicates a movie that you see in the previews and say to your
friend, "I'll be sure to miss that one." Mostly forgettable, you
couldn't lose too much by going to Hollywood Video and paying $3 to
watch it with your sig other, but you would only do that if the
video store was out of copies of "Ronin." If you can, see this
movie for free. This is what your TV Guide would give "one and a
half stars."
"Hard Vice": This rating is
the bottom of the barrel. A movie that only six other human beings
have witnessed, this is the worst movie I have ever seen. A Shannon
Tweed "thriller," it is so bad as to be funny during almost every
one of its 84 minutes, and includes the worst ending ever put into a
movie. Marginally worse than "Cabin Boy", "The Avengers" or
"Leonard, Part 6", this rating means that you should avoid this
movie at all costs, or no costs, EVEN IF YOU CAN SEE IT FOR FREE!
(Warning: strong profanity will be used in all reviews of "Hard
Vice"-rated movies.)