2008 Fall Video Roundup, Vol. I
9/21/08
"The Wire", Season Five (ten one-hour
episodes)
Watching the last three or four episodes of
"The Wire"--its fifth season was also its last--was hard to enjoy
mainly because you knew that when it was over, the last great TV
show for a while was ending, too. No more Avon & Stringer.
No more Major Crimes Unit. No more Clay Davis. No more
Bubs...no more Omar. No more McNulty getting bombed with Bunk
at the local cop bar. No more Prop Joe, corner boys, Cutty,
Hamsterdam, Snoop, overtime, the writers at the Sun, or Marlo.
A sad, sad day indeed. But, Meg and I watched it all, right to
the end, right to the two "making of" pieces on the Features
menu...right through the credits. Brushing my teeth after
watching, it all kind of hit me--TV shows rarely get it all right,
showing us a real city with real problems felt by real people.
But, "The Wire" was that show, and by only airing for five seasons,
at least it can say it went out on top, but you still get the
feeling that they could have done a sixth...and, who knows what
could have happened from there?
Rating: Opening Weekend
"The Hoax"
Here's what I can tell you about "The Hoax", a Richard Gere film
that nobody saw when it came out in '06: I started watching it
at 2:30 AM recently and had no problem staying awake to see it
through. A very good (not classic, just well done)
comedy-thriller that follows the true story of Clifford Irving (Gere)
and his made-up retelling of the biography of Howard Hughes back in
the mid-70s, "The Hoax" gets a lot of mileage out of the pairing of
Gere with Alfred Molina as nim-witted book researcher Dick Suskind,
as well as good supporting performances from Hope Davis, Marcia Gay
Harden, Stanley Tucci and others. And, like any other product
based on fact-based material, you almost can't believe some of the
stuff that Irving does in order to keep everyone guessing as he
collects money for his fake book from McGraw-Hill while consistently
dodging the fact that...he has no facts! Almost like a caper,
"The Hoax" was surprisingly engaging.
Rating: $9.50 Show
"Lady Vengeance"
I wanted to see this 2005 import because it was the last leg of a
trilogy that included one of my favorites from '03,
"Oldboy."
Unfortunately, I found this film to be strangely unwatchable; I
think it was a mix of the randomly gratuitous violence and sexuality
(although, one scene where a man finishes dinner, bends his wife
over the kitchen table, and the two carry on a conversation about
what to have for dinner the next night was oddly amusing) and the
plot that aligned so closely to "Oldboy", with a woman (Yeong-ae
Lee) imprisoned for nearly 14 years who is released only to seek
vengeance upon the man who may have kidnapped her daughter.
All of this, subtitles, hokey plot elements, blood coming out of
random orifices...wasn't for me!
Rating: Hard Vice
"Midnight Meat Train"
Easily the best film title of 2008, Clive Barker's latest
creation (he produced and wrote the short story on which the film is
based) is one of the nastiest movies you will ever see. And,
the shittiest. Bradley Cooper (probably best known as Sydney's
love interest during the first season of "Alias") plays a
photographer who becomes obsessed with taking pictures of a serial
killer who kills people on a late-night subway train every day.
That's the whole movie. Shitastic from the jump, at least "MMT"
doesn't take itself very seriously, but it nearly put me to sleep
whenever the movie was in-between bludgeon kills on the train.
Vinnie Jones does a great job as the killer, by not speaking any
lines and making a meat cleaver do really nasty things.
Rating: Hard Vice
"Battle Royale"
I don't know which one of you told me to add the Japanese films
"Battle Royale" and "Battle Royale II" to my Netflix queue, but
damn, this is some fucked-up stuff! In the future, the
Japanese government has decided to take an unusual step in the use
of discipline for bad kids: why not send them to a deserted island,
give each kid a weapon, and then have each of the kids hunt each
other down? A mix of "Survivor", "Lord of the Flies", and
"Series 7", "Battle Royale" is black comedy that is red a whole hell
of a lot, and it is strangely a good time thanks to hilarious death
sequences, over-the-top Japanese acting (is there any other kind?)
and hot co-eds in private school outfits. (I felt only a
little bit dirty writing that last part.)
Rating: $9.50 Show
"Battle Royale II"
So, one of the survivors from the first film declares war on all
adults worldwide three years after the events of the first film.
This leads the government to do the kids-on-the-island bit again,
except this time, they are training a new class of 42 kids to take
down the original film's survivor and his band of merry terrorists.
Of course, there's more to it than that, but this sequel is
completely ridiculous, not the least of which features an all-out
war between trained Japanese soldiers and teenage Japanese
schoolchildren. Guess who's more accurate, who's better
trained, and who uses cover while shooting at their opponent?
Yep, the fuckin' kids!!! This film is also 30 minutes longer
than the first movie, a bad idea given that this is all thanks to
bad editing and at least a dozen scream-to-the-sky death speeches.
One guy was about to die and he talked about how much he loved
playing rugby. No, I'm not kidding! Save for a couple of
decent action scenes, this sequel is mostly forgettable.
Rating: Rental
"The Fountain"
I gave this Darren Aronofsky film an hour. Mr. Aronofsky
did "Pi"
(no one saw it, but critics loved it), then
"Requiem
for a Dream" (great film, some people saw it), then he didn't
make another movie for six years. "The Fountain" was
slaughtered by critics when it came out in '06, and now I know
why--a time-hopping drama featuring over-produced "movie moments",
camera angles that baffle more than inspire, two stars (Hugh Jackman
and Rachel Weisz) who are amazingly wooden in their performances,
and surgery on chimpanzees. It's a mess, and after 61 minutes,
I deleted it from my DVR. Ugh!
Rating: Hard Vice
Comments? Drop me a line at
justin@bellviewmovies.com.
Bellview Rating System:
"Opening Weekend": This is
the highest rating a movie can receive. Reserved for movies that
exhibit the highest level of acting, plot, character development,
setting...or Salma Hayek. Not necessarily in that order.
"$X.XX Show": This price
changes each year due to the inflation of movie prices; currently,
it is the $9.50 Show. While not technically perfect, this is a
movie that will still entertain you at a very high level.
"Undercover Brother" falls into this category; it's no "Casablanca",
but you'll have a great time watching. The $9.50 Show won't win any
Oscars, but you'll be quoting lines from the thing for ages (see
"Office Space").
"Matinee": An average movie
that merits no more than a $6.50 viewing at your local theater.
Seeing it for less than $9.50 will make you feel a lot better about
yourself. A movie like "Blue Crush" fits this category; you leave
the theater saying "That wasn't too bad...man, did you see that
Lakers game last night?"
"Rental": This rating
indicates a movie that you see in the previews and say to your
friend, "I'll be sure to miss that one." Mostly forgettable, you
couldn't lose too much by going to Hollywood Video and paying $3 to
watch it with your sig other, but you would only do that if the
video store was out of copies of "Ronin." If you can, see this
movie for free. This is what your TV Guide would give "one and a
half stars."
"Hard Vice": This rating is
the bottom of the barrel. A movie that only six other human beings
have witnessed, this is the worst movie I have ever seen. A Shannon
Tweed "thriller," it is so bad as to be funny during almost every
one of its 84 minutes, and includes the worst ending ever put into a
movie. Marginally worse than "Cabin Boy", "The Avengers" or
"Leonard, Part 6", this rating means that you should avoid this
movie at all costs, or no costs, EVEN IF YOU CAN SEE IT FOR FREE!
(Warning: strong profanity will be used in all reviews of "Hard
Vice"-rated movies.)