2007 Winter Video Roundup, Vol. III
2/16/07
"United 93"
This round of Netflix came in as I was
trying to make sure I saw most, if not all, of the Oscar-nominated
films out there; man, I can't believe I didn't see "United 93" while
it was in theaters. Great movie, truly great, especially since
it appears that writer/director Paul Greengrass didn't even use
veteran actors in these parts...instead, the film works better
because the fresh faces lend much more realism to a day that
featured so many stock Americans in roles unfamiliar to them, be it
FAA officials, or air traffic control operators and supervisors,
or--in the worst-case scenario, pilots, stewardesses and passengers
on four ill-fated flights bound to take out significant American
targers on 9/11. Only about a third of the film is set on the
events that might have taken place on United's Flight 93--the one
that crashed somewhere in Pennsylvania after it was assumed that the
passengers overtook the terrorists in charge only as the plane was
being driven to the ground. Greengrass does a great job of
putting you right at the heart of the drama, and how crazy it must
have been to be watching much of this action from behind the monitor
on a regular ol' Tuesday that turned out to be anything but.
Rating: Opening Weekend
"Half Nelson"
Ryan Gosling was nominated for Best Actor
for his performance in this small indie drama, which I swear no one
I know has seen and by only making about $5 million in box office,
something tells me that no one anywhere saw it, so it's a surprise
that the role was even considered. The work here by Gosling is
great stuff, although movies featuring coked-out white guys are
becoming a little old hat for me, you know? Gosling plays a
history teacher who spends his days barely awake from drug and
alcohol hangovers the night before, but his kids love him, most
notably the solemn self-starter (Shareeka Epps) who plays on the school
basketball team (that's right--this cokehead is even the girls'
hoops coach!). Through their friendship, the teacher slowly
learns the errors of his ways. You know what? I thought
the movie was just alright; it didn't move me like I thought it
would; the acting was stellar. It's just not a movie that
featured anything worth watching twice.
Rating: Matinee
"Jesus Camp"
Wow! As this was nominated for Best Documentary Feature at
this year's Oscars, I added this one to the queue...and, I was very
satisfied with the result. The film follows a number of
evangelical Christians as they prepare for a worship camp held
Somewhere in the Mountains, giving us perspectives on religion in
the middle of America from adults, teens and young'uns (those 12 and
under) who celebrate the Lord's word. You know, I give the
filmmakers credit--they don't seem to take sides during the
90-minute film, even if not taking sides still leaves those crazy
evangelicals looking like former strait jacket residents.
Worth a viewing, whether you are religious or not.
Rating: Opening Weekend
"The Assassination of Richard Nixon"
I remember seeing the trailer for this Sean Penn film a few years
back and thinking it had to be nothing short of amazing...but, then
it was released, and its buzz was pretty quiet through its short run
in theaters. Video doesn't treat the drama any better; in
1974, a stereotypical loser (Penn) suffers through a messy
separation from his wife (Naomi Watts) and kids, struggles to hold
even a job selling office furniture, and has trouble relating with
minorities at all points, most importantly with his buddy Bonny (Don
Cheadle), who runs a tire and auto shop that the loser used to also
work at a couple of years ago. When everything implodes, he
decides to go absolutely insane and try to kill random people on a
plane at BWI Airport. Yeah, I don't get it either, but
apparently, the Penn character is based on a real person, so this
movie's got THAT going for it...and, not much else! This was
disappointing, mostly because Penn has done this kind of crazy
before and his character's backstory makes literally no sense at
all.
Rating: Rental
Comments? Drop me a line at
justin@bellviewmovies.com.
Bellview Rating System:
"Opening Weekend": This is
the highest rating a movie can receive. Reserved for movies that
exhibit the highest level of acting, plot, character development,
setting...or Salma Hayek. Not necessarily in that order.
"$X.XX Show": This price
changes each year due to the inflation of movie prices; currently,
it is the $9.50 Show. While not technically perfect, this is a
movie that will still entertain you at a very high level.
"Undercover Brother" falls into this category; it's no "Casablanca",
but you'll have a great time watching. The $9.50 Show won't win any
Oscars, but you'll be quoting lines from the thing for ages (see
"Office Space").
"Matinee": An average movie
that merits no more than a $6.50 viewing at your local theater.
Seeing it for less than $9.50 will make you feel a lot better about
yourself. A movie like "Blue Crush" fits this category; you leave
the theater saying "That wasn't too bad...man, did you see that
Lakers game last night?"
"Rental": This rating
indicates a movie that you see in the previews and say to your
friend, "I'll be sure to miss that one." Mostly forgettable, you
couldn't lose too much by going to Hollywood Video and paying $3 to
watch it with your sig other, but you would only do that if the
video store was out of copies of "Ronin." If you can, see this
movie for free. This is what your TV Guide would give "one and a
half stars."
"Hard Vice": This rating is
the bottom of the barrel. A movie that only six other human beings
have witnessed, this is the worst movie I have ever seen. A Shannon
Tweed "thriller," it is so bad as to be funny during almost every
one of its 84 minutes, and includes the worst ending ever put into a
movie. Marginally worse than "Cabin Boy", "The Avengers" or
"Leonard, Part 6", this rating means that you should avoid this
movie at all costs, or no costs, EVEN IF YOU CAN SEE IT FOR FREE!
(Warning: strong profanity will be used in all reviews of "Hard
Vice"-rated movies.)