"Stop-Loss"
Directed by Kimberly Peirce.
Written by Mark Richard and Kimberly Peirce.
Starring Ryan Phillippe, Abbie Cornish, Channing Tatum and Joseph
Gordon-Levitt.
Release Year: 2008
Review Date: 4/6/08Kind of like
last fall's Iraq war drama/murder mystery
"In the Valley of Elah", "Stop-Loss"--chronicling the journey of
a soldier who comes home from a volunteer five-year run in Iraq only
to find out that he's being sent back overseas--will probably make
little to no cash, which is too bad, because both films are very
good and open your eyes to the harsh reality of how badly we treat
those that fight our wars, even if they volunteer for such service
and want to start a life outside of the military.
Ryan Phillippe is the poster boy for
inconsistency (good
in "Crash", ehh in
"Breach", good in
"The Way of
the Gun", ehh in
"Gosford Park"), but in "Stop-Loss", he does a
pretty good job as our man Staff Sergeant Brandon King, who has
served on over 150 combat missions in Iraq. Sgt. King applies
to get out of the Army, and about a month before leaving Iraq, he and his
team of soldiers--including two guys King grew up with, Shriver (Channing
Tatum) and Burgess (Joseph Gordon-Levitt)--get caught in an ambush
that leaves two of his soldiers dead and one other badly maimed.
When King gets home to Texas and walks into the local Army offices
to hand in his exit paperwork, he is told that he is being "stop-lossed",
meaning that he is being sent back to Iraq to serve another
year-long tour of duty...obviously, King isn't a fan, so he goes
AWOL and has some tough decisions to make about how he can get out
of future Army service.
Directed by Kimberly Peirce, who I think
hasn't directed anything since "Boys Don't Cry" made Hilary Swank a
star, "Stop-Loss" starts off with a great action sequence detailing
that ambush in Iraq; from there, the drama of being a soldier at
home feels familiar but the camaraderie among the principal stars is
good, so it gets by...but, when "Stop-Loss" really gets good is when
we get to see how King, trying to get to Washington to speak with a
senator that he thinks can help his cause to get out of the
stop-loss order, deals with the situations involving his former
squadmates, be it visiting a grieving family, or checking out the
maimed soldier in an Army hospital late in the film. I thought
that was some eye-opening stuff, even if you have seen things like
it before; it is there that "Stop-Loss" gets its anti-war agenda
across, and it is in that message that the film is at its most
powerful.
Between this, though, we get a bit too much
from so-so performers like Tatum and Abbie Cornish, as the
girlfriend of Tatum's character, and an ehh storyline involving the
Burgess character's spiral into insanity, which will feel as tired
as all hell by the time it's all over. These two performances
don't damage the overall product, they just slow it down
occasionally. The ending also didn't jazz me up too much, but
hey--I guess you have to come in with the predictable ending
eventually, right? Overall, though, "Stop-Loss" was solid, but
just be sure to hurry--it won't be around long, with summer
blockbusters ready to crush the competition.
Rating: $9.50 Show
Comments? Drop me a line at
justin@bellviewmovies.com.
Bellview Rating System:
"Opening Weekend": This is
the highest rating a movie can receive. Reserved for movies that
exhibit the highest level of acting, plot, character development,
setting...or Salma Hayek. Not necessarily in that order.
"$X.XX Show": This price
changes each year due to the inflation of movie prices; currently,
it is the $9.50 Show. While not technically perfect, this is a
movie that will still entertain you at a very high level.
"Undercover Brother" falls into this category; it's no "Casablanca",
but you'll have a great time watching. The $9.50 Show won't win any
Oscars, but you'll be quoting lines from the thing for ages (see
"Office Space").
"Matinee": An average movie
that merits no more than a $6.50 viewing at your local theater.
Seeing it for less than $9.50 will make you feel a lot better about
yourself. A movie like "Blue Crush" fits this category; you leave
the theater saying "That wasn't too bad...man, did you see that
Lakers game last night?"
"Rental": This rating
indicates a movie that you see in the previews and say to your
friend, "I'll be sure to miss that one." Mostly forgettable, you
couldn't lose too much by going to Hollywood Video and paying $3 to
watch it with your sig other, but you would only do that if the
video store was out of copies of "Ronin." If you can, see this
movie for free. This is what your TV Guide would give "one and a
half stars."
"Hard Vice": This rating is
the bottom of the barrel. A movie that only six other human beings
have witnessed, this is the worst movie I have ever seen. A Shannon
Tweed "thriller," it is so bad as to be funny during almost every
one of its 84 minutes, and includes the worst ending ever put into a
movie. Marginally worse than "Cabin Boy", "The Avengers" or
"Leonard, Part 6", this rating means that you should avoid this
movie at all costs, or no costs, EVEN IF YOU CAN SEE IT FOR FREE!
(Warning: strong profanity will be used in all reviews of "Hard
Vice"-rated movies.)