Let's put it in print--just from the eyeball
test, and sitting in a packed house theater with all the fixins, I
would have to say that I will be in complete and utter shock if
"Changeling" is not nominated for Best Picture. I'm not saying
it's going to win, but given the film, how good it is, its pedigree
(and, come on, Clint Eastwood directing Angelina Jolie in a Ron
Howard-and-Brian-Grazer-produced film?), its story and its
performances, I will be floored if this one is not buzzed about on
Oscar night.
"Changeling" is fantastic, and we can wiggle
on specifics, but even the harshest critic should have something
good to take away with this film. Based on a true story set in
1928, a woman named Christine Collins (Jolie) goes to work one day
and comes home to find her 9-year-old son missing. She brings
her case to the LAPD--at the time notorious for its crazy-high
perception of rampant corruption--and five months after losing her
son Walter, lead detective J.J. Jones (Jeffrey Donovan) informs
Christine that he has good news: they have found her son, who had
been abducted and found in Illinois. But, when the
newly-discovered boy arrives at the train station, we discover along
with Christine that this boy really is NOT her son...and, the
adventure that follows is nothing short of epic, in terms of time,
scope, and the discovery of where Walter really is.
Like other Eastwood films, "Changeling" is
long; at times, you think they could cut some parts out, but then
it's a struggle to figure out what gets the axe, so then you realize
that it all needed to be in there. Certainly, like any story
based on fact, you could get a lot of mileage out of
naturally-occurring twists and turns, which "Changeling" has and
this is in large part thanks to the fact that you almost can't make
some of this shit up...and, bam, there's another scene that you
can't believe until you realize that the events being depicted
really did happen. Jolie is great, even if she is familiar
(she seems to play characters like this in all of her non-action
films), but it's the supporting cast that is truly special in
"Changeling."
The ensemble probably won't win any awards,
but the solidly evil characters played by Donovan, or Colm Feore as
the dirty LAPD chief, or Denis O'Hare as the mental institution
chief psychiatrist are all hilariously saucy. (O'Hare was just
as saucy in a film as different as you could get from "Changeling",
playing a pissed-off neighbor in
"Quarantine.")
John Malkovich soaks up his few moments as a local crusader who
wants to help Christine expose the LAPD for what it is; even Geoff
Pierson is solid as a lawyer late in this film, a guy I remember
from his stint as the VP in "24" a couple of seasons ago. The
best of the lot is a child who surfaces mid-film played by Eddie
Alderson; I thought Alderson did a great job of conveying the
emotions of a kid that went WAY off the beaten path and knows he has
something to answer for...
I went to see this with my friends Ross and
Anne; Ross wasn't as hot on this as I was, and he didn't like the
film's score at all. If you have seen other Eastwood films and
liked those scores, you'll be fine with this one too...it's quiet
and unassuming, featuring what sounds like a heavy dose of saxophone
throughout. The film's print looks great and the effects used
to create a 1920s Los Angeles looked good to me; images of violence
are conveyed in a tone that is tough for some to watch, but to me
never felt gratuitous...and, a violent act late in the film is shown
plainly but fully, leaving you with a sense of finality for the
victim even as you wonder to yourself, "Man, how bad would it suck
to go THAT way?"
"Changeling" is great, populist adult
entertainment. With strong acting and a story that could only
be real, I think it will be a lock to be a player come awards
season, but (like other Jolie non-action films) I don't think this
will make a ton of cash, so you may want to get out there to see it
soon after it arrives in theaters. Great stuff and this
continues Eastwood's great run over the last five years. How
could an 80-year-old be so good at this?
Rating: Opening Weekend
Comments? Drop me a line at
justin@bellviewmovies.com.
Bellview Rating System:
"Opening Weekend": This is
the highest rating a movie can receive. Reserved for movies that
exhibit the highest level of acting, plot, character development,
setting...or Salma Hayek. Not necessarily in that order.
"$X.XX Show": This price
changes each year due to the inflation of movie prices; currently,
it is the $9.50 Show. While not technically perfect, this is a
movie that will still entertain you at a very high level.
"Undercover Brother" falls into this category; it's no "Casablanca",
but you'll have a great time watching. The $9.50 Show won't win any
Oscars, but you'll be quoting lines from the thing for ages (see
"Office Space").
"Matinee": An average movie
that merits no more than a $6.50 viewing at your local theater.
Seeing it for less than $9.50 will make you feel a lot better about
yourself. A movie like "Blue Crush" fits this category; you leave
the theater saying "That wasn't too bad...man, did you see that
Lakers game last night?"
"Rental": This rating
indicates a movie that you see in the previews and say to your
friend, "I'll be sure to miss that one." Mostly forgettable, you
couldn't lose too much by going to Hollywood Video and paying $3 to
watch it with your sig other, but you would only do that if the
video store was out of copies of "Ronin." If you can, see this
movie for free. This is what your TV Guide would give "one and a
half stars."
"Hard Vice": This rating is
the bottom of the barrel. A movie that only six other human beings
have witnessed, this is the worst movie I have ever seen. A Shannon
Tweed "thriller," it is so bad as to be funny during almost every
one of its 84 minutes, and includes the worst ending ever put into a
movie. Marginally worse than "Cabin Boy", "The Avengers" or
"Leonard, Part 6", this rating means that you should avoid this
movie at all costs, or no costs, EVEN IF YOU CAN SEE IT FOR FREE!
(Warning: strong profanity will be used in all reviews of "Hard
Vice"-rated movies.)