The table was set. I used a free pass I had
to see “Bringing Down the House”, the Steve Martin/Queen Latifah
comedy that opened up two weeks ago. They gave me a free popcorn
and free soda when I used my free pass at the Kabuki Theaters. I
rolled in five minutes before the flick started, got the best seat
in the house--front row, balcony--and cozied up to lots of leg room
and both armrests. The previews started, and they were not too
bad--got the longer version of “Bruce Almighty” (with Jim Carrey),
that Eddie Murphy flick about a daycare didn’t look too bad, and got
the “X2” preview once again. I was, as the kids like to say,
“hangin’ out.”
Then, the movie started. One thing’s for
sure--were it not for Betty White, as a wealthy racist neighbor who
uttered the laugh-out-loud line about Latinos in a rich
neighborhood: “Well, if [that Latin guy] wasn’t carrying a leaf
blower, I don’t know what he was doing in our neighborhood!”--I and
the rest of our audience wouldn’t have laughed for a solid 30
minutes of screen time to start the movie.
And, it didn’t get much better from there; a
classic “all the good jokes are in the trailer” film, “Bringing Down
the House” has some of the most predictable race relations jokes you
have ever seen, and by the time Martin and Latifah really get
lukewarm-funny, I had already made up my mind about the film.
Martin plays a tax lawyer that thinks he is about to go out on a
blind date with a tall blonde he met in an Internet chat
room...until he meets Charlene (Latifah), the real girl from the
chat room that happens to be an ex-con looking for a lawyer to clear
her good name. All of this is just a setup for the writers to
provide us with enough chances for some Straight-Outta black
stereotypes school jokes, and of course, for the Stiff White People
to Learn From the Black Way of Life...wow, what were there, 125
jokes where a white character looks at Charlene and makes some sort
of “Look, Aunt Jemima!” crack? In what has to be the most untracked
streak of all time, this was the 419th straight film where young
black people were shooting dice, breaking the old record of 418
straight films where a black character yelled out “Domino,
muthafucka!” at the top of his lungs during a dominoes game.
(You know what’s amazing about this
requirement of black culture in films? Prior to moving to San
Francisco, I have been to plenty a black house party, family
gathering and Sunday picnic...and, at about 95% of them, there were
black people playing Spades. I have seen something like 8 billion
films, but I can’t remember a SINGLE FUCKING ONE OF THEM that has a
scene where a character throws down an ace of spades and says “I’m
CUTTIN’ you, muthafucka! Untapped genius and it’s right there for
the takin’!)
The newest streak that is on the rise--and,
it really has begun to frighten me--is the number of times a white
character has to utter some form of “Off da hizzy fo’ shizzy, dough”
in a really stiff white voice, preferably while amped on weed or any
other recreational form of drug use. “Bringing Down the House” only
has a couple of scenes like that, but from the looks of it, I am
going to have to suffer through at least five more films this year
that have a character saying that, as “Head of State” leads the pack
of these films. (Oh man, does that trailer look BAD! By the time I
have to watch those three older white folks doing that rendition of
Nelly’s “Hot in Herre”, I keep looking for my Porta-Razor!!) Maybe
those other films will all be better than this drivel, because
besides White’s character, a dance scene with Martin in ghettogear
late in the film and a so-wrong-I-couldn’t-believe-it scene where an
old white woman sings a slave spiritual for Charlene, “Bringing Down
the House” wasn’t even enjoyable FOR FREE! And, I was in a good
mood when I walked in! With free food! And good previews! That
should tell you all you need to know.
Rating: Rental
Comments? Drop me a line at
justin@bellviewmovies.com.
Bellview Rating System:
"Opening Weekend": This is
the highest rating a movie can receive. Reserved for movies that
exhibit the highest level of acting, plot, character development,
setting...or Salma Hayek. Not necessarily in that order.
"$X.XX Show": This price
changes each year due to the inflation of movie prices; currently,
it is the $9.50 Show. While not technically perfect, this is a
movie that will still entertain you at a very high level.
"Undercover Brother" falls into this category; it's no "Casablanca",
but you'll have a great time watching. The $9.50 Show won't win any
Oscars, but you'll be quoting lines from the thing for ages (see
"Office Space").
"Matinee": An average movie
that merits no more than a $6.50 viewing at your local theater.
Seeing it for less than $9.50 will make you feel a lot better about
yourself. A movie like "Blue Crush" fits this category; you leave
the theater saying "That wasn't too bad...man, did you see that
Lakers game last night?"
"Rental": This rating
indicates a movie that you see in the previews and say to your
friend, "I'll be sure to miss that one." Mostly forgettable, you
couldn't lose too much by going to Hollywood Video and paying $3 to
watch it with your sig other, but you would only do that if the
video store was out of copies of "Ronin." If you can, see this
movie for free. This is what your TV Guide would give "one and a
half stars."
"Hard Vice": This rating is
the bottom of the barrel. A movie that only six other human beings
have witnessed, this is the worst movie I have ever seen. A Shannon
Tweed "thriller," it is so bad as to be funny during almost every
one of its 84 minutes, and includes the worst ending ever put into a
movie. Marginally worse than "Cabin Boy", "The Avengers" or
"Leonard, Part 6", this rating means that you should avoid this
movie at all costs, or no costs, EVEN IF YOU CAN SEE IT FOR FREE!
(Warning: strong profanity will be used in all reviews of "Hard
Vice"-rated movies.)