"The Bourne Supremacy"
Directed by Paul Greengrass.
Written by Tony Gilroy. Based on the novel by Robert
Ludlum.
Starring Matt Damon, Franka Potente, Karl Urban, Joan Allen and
Brian Cox.
Release Year: 2004
Review Date: 7/26/04Folks--
Matt Damon is back again in the sequel to
"The Bourne Identity", one of
the better action efforts of the last two years. What's
interesting to me about "The Bourne Supremacy", based on the Jason
Bourne novels by Robert Ludlum, is that while there seems to be a
lot going on, it reminded me of one thing:
"Alias."
See, this time around, Jason Bourne (Damon)
is in hiding with his girlfriend Marie (Franka Potente) in Goa,
India, seemingly far, far away from any chance that his old CIA
"buddies", led by Abbott (Brian Cox), will find him and try to take
him out. But naturally, he's wrong, so when a Russian hit man
(Karl Urban, from the "LOTR" films) shows up one day trying to off
the happy couple, well, shit hits the fan and Bourne has to go after
the people that he thinks are trying to kill him--a group of CIA
operatives led by Abbott and Landy (Joan Allen) who were sent by the
good people in Washington to take Bourne down. Plot twists ensue,
blah blah blah.
Although I'm sure there was a great story to
be had in the novel, the movie version of "The Bourne Supremacy"
(running time: 100 minutes) sticks to movie sequel formula and
gives us a fight scene here, a shootout there, and wraps things up
nicely with a big blowout car chase. In between, there seems
to be a taut, suspenseful thriller built into the film but I'll be
damned if this film doesn't come off a lot like a two-hour season
premiere of "Alias", the spy show on ABC that specializes in roughly
the same formula as a big-budget spy/action thriller. The only
real difference for me is, when I thought about it, is that while
Sydney Bristow on "Alias" at least remembers to bring a disguise
when trying to hide from the bad guys, it seems like Jason Bourne is
always thinking
"If I'm a wanted criminal or I'm trying to
be in hiding with my girlfriend, it's probably best that I walk
around in plain view where I'm the only white guy for miles!"
See, it seems like a white guy hangin' out
in India (PLENTY of fuckin' white folks there) is just going to get
found eventually. Bourne globetrots from place to place with
his basket of passports but doesn't seem to mind strolling with the
locals from time to time, which nearly gets him killed about four
times in this film. Bourne goes to see an old acquaintance;
who this person is, why this person is important, and why this
person eventually tries to kill Bourne must be in the book
somewhere, because it was not explained in "The Bourne Supremacy" at
all.
See, normally plot-related things don't get
me too riled up if there is no plot in the first place. But
here, there is so much of an attempt to establish a good story that
the LEAST the filmmakers could do is to tie up the loose ends.
And, there are some long gaps that go completely action-less;
watching Bourne ride on a train, or walk from place to place,
doesn't give me much to work with and I would have preferred a pace
similar to "The Bourne Identity", which seemed to have a shootout or
an explosion every five minutes or so plus a great story to keep me
hooked. Because Bourne is on the run the whole time, the lack
of a co-star (as you will see when you watch this sequel) leaves
Damon with nothing to do a lot of the time he isn't beating somebody
up.
The location shoot is the best part about
"The Bourne Supremacy", and the car chase near the conclusion is
solid as well. Joan Allen is a great addition to this cast;
Allen is always great, but because she hasn't worked in much lately
(I last remember her in "The Contender", with Jeff Bridges, in
2000), it's kind of refreshing seeing her again. Urban looks
mean enough to be legit, and a small bit by Julia Stiles is
well-placed, too. Some good laughs are sprinkled in the script
and I did enjoy the soundtrack for this flick, too.
Really, despite some of my negativity, I
thought "The Bourne Supremacy" was a nice breeze on a hot summer
day; it didn't make the day amazing, but it made everything quite
palatable. After the car chase was over, I was thinking, "Hey,
this was a good time. Looks like another $9.50 in the..."
And then, the ending came. Man, I
thought this ending blew. I can't say it wasn't logical, and
it does wrap up the plot fairly cleanly. But, after that big
blowout, you give me sap? You give me morality? You give
me soul searching? Well, if that's the case, I give you
Rating: Matinee
Comments? Drop me a line at
justin@bellviewmovies.com.
Bellview Rating System:
"Opening Weekend": This is
the highest rating a movie can receive. Reserved for movies that
exhibit the highest level of acting, plot, character development,
setting...or Salma Hayek. Not necessarily in that order.
"$X.XX Show": This price
changes each year due to the inflation of movie prices; currently,
it is the $9.50 Show. While not technically perfect, this is a
movie that will still entertain you at a very high level.
"Undercover Brother" falls into this category; it's no "Casablanca",
but you'll have a great time watching. The $9.50 Show won't win any
Oscars, but you'll be quoting lines from the thing for ages (see
"Office Space").
"Matinee": An average movie
that merits no more than a $6.50 viewing at your local theater.
Seeing it for less than $9.50 will make you feel a lot better about
yourself. A movie like "Blue Crush" fits this category; you leave
the theater saying "That wasn't too bad...man, did you see that
Lakers game last night?"
"Rental": This rating
indicates a movie that you see in the previews and say to your
friend, "I'll be sure to miss that one." Mostly forgettable, you
couldn't lose too much by going to Hollywood Video and paying $3 to
watch it with your sig other, but you would only do that if the
video store was out of copies of "Ronin." If you can, see this
movie for free. This is what your TV Guide would give "one and a
half stars."
"Hard Vice": This rating is
the bottom of the barrel. A movie that only six other human beings
have witnessed, this is the worst movie I have ever seen. A Shannon
Tweed "thriller," it is so bad as to be funny during almost every
one of its 84 minutes, and includes the worst ending ever put into a
movie. Marginally worse than "Cabin Boy", "The Avengers" or
"Leonard, Part 6", this rating means that you should avoid this
movie at all costs, or no costs, EVEN IF YOU CAN SEE IT FOR FREE!
(Warning: strong profanity will be used in all reviews of "Hard
Vice"-rated movies.)