Girl [pause]: “...your heart.”
Now, in EVERY SINGLE THEATER that I have
seen this trailer, this line has been followed by either nervous,
hushed, or out-and-out belly laughter. I laughed the first time
that I saw it too, but now, I feel kind of bad for the
filmmakers—are they the ones that designed the trailer, or was it
the releasing studio that did it? Regardless, that they could not
sense how fluffy the line comes off to an audience is beyond me. If
movies look soft and fluffy to me in the preview, I only have one
gut reaction: chick flick. I don't think Epps had this in mind
when he made the movie...
Capping an extremely-rare Vin Diesel
weekend, I decided to fly solo to the local moviehouse to catch
Diesel and Giovanni Ribisi (“Saving Private Ryan,” “The Mod Squad”)
in “Boiler Room.” If you have seen the preview, then you pretty
much know that this rise-and-fall tale of college dropout Seth Davis
(Ribisi) involves his joining up with a large investment firm in the
greater NYC area, a firm which has a shady side and a whole lot of
20-something rich guys working for it. Davis—who is running a
mini-casino out of his apartment each day of the week to make mad
cash—meets up with an old college friend and his boss Greg (Nicky
Katt), who is now working for a riches-to-more-riches investment
firm called JT Marlin. Davis decides that, like Greg, he wouldn't
mind driving a Ferrari over his Volvo, so he decides to join up with
JT Marlin and make it big on the stock market. However, as the
trading gets heavier and the cash starts to flow, Davis realizes
that there is something decidedly wrong with the way his firm makes
money. How will he get out? And, how many more investors' lives
will have to be ruined before he figures that out?
I thought it worked. The best thing about
it is probably its great script, which lets Ribisi's Davis slowly
figure it all out in a way that is both interesting and not overly
confusing for someone that has no idea what an IPO is before the
movie begins. Oh, and all of the cussing that takes place over the
course of its two-hour run. Ribisi comes off as something of a
dimwit whenever he is trying to explain himself to someone outside
of the firm, but once he gets on the phone he does his best
Charlie-Sheen-in-”Wall Street” impression to get investors to take
the bait and buy shares of different stocks. Speaking of “Wall
Street,” this movie doesn't even try and deny that some of its
influence comes from the Mike Douglas-as-Gordon Gecko thriller from
the mid-80s—a great scene in “Boiler Room” has its principal stars
watching the movie on TV and quoting lines from the movie like it
was part of the series 7 exam. Diesel is, once again, a straight
bad-ass in this movie, as are Katt, Nia Long (as Ribisi's love
interest), and workaholic Jamie Kennedy as Ribisi's friend from
college.
And the pace is hot! The movie flies along
at a great clip and does a great job of inserting guy-loving
adrenaline bursts at just the right times during the film.
Conversely, I thought some of the more dramatic elements involving
Ribisi's relationship with his father and a trade 3/4 of the way
through the movie with a father of two that shouldn't even be
trading without his wife's approval worked as well. Although Ben
Affleck's turn here won't be confused with Alec Baldwin's great
performance in “Glengarry Glen Ross” (if you haven't seen it, a
great rent), he does a good job of trying to whip the junior sales
assistants at JT Marlin into shape by cussing at them and generally
trying to be a tough guy. And, best of all (especially for a movie
that on its surface looks like it is about 80 rich white guys), the
soundtrack is loaded with semi-old-skool rap music. It even has
Ribisi, in voice-over, quoting Notorious B.I.G. in this film! Who
would have thunk it?
Now, sure, there are negatives, but I will
keep them brief: Ribisi's character, while he looks like a bright
kid, seems to be the only peon at the firm that seems to understand
that something is dangerously wrong with everyone in the company's
status as a millionaire. And, Nia Long's Abby—as the company
secretary—gets called a whore a couple of times and then sells out
Ribisi later in the film (this is NOT a surprise once you see the
film). Oh, and she is the only black character in the movie.
Something about that didn't sit well...like Ribisi tells her during
the movie, “[working at the firm] doesn't seem like the best
environment for a black woman like yourself...”, which seemed to
make sense even if she is making $80,000 a year. Hmm...
But, overall, a very good film that keeps
things lively through this relatively-slow movie season.
Rating: $8.25 Show
Comments? Drop me a line at
justin@bellviewmovies.com.
Bellview Rating System:
"Opening Weekend": This is
the highest rating a movie can receive. Reserved for movies that
exhibit the highest level of acting, plot, character development,
setting...or Salma Hayek. Not necessarily in that order.
"$X.XX Show": This price
changes each year due to the inflation of movie prices; currently,
it is the $9.50 Show. While not technically perfect, this is a
movie that will still entertain you at a very high level.
"Undercover Brother" falls into this category; it's no "Casablanca",
but you'll have a great time watching. The $9.50 Show won't win any
Oscars, but you'll be quoting lines from the thing for ages (see
"Office Space").
"Matinee": An average movie
that merits no more than a $6.50 viewing at your local theater.
Seeing it for less than $9.50 will make you feel a lot better about
yourself. A movie like "Blue Crush" fits this category; you leave
the theater saying "That wasn't too bad...man, did you see that
Lakers game last night?"
"Rental": This rating
indicates a movie that you see in the previews and say to your
friend, "I'll be sure to miss that one." Mostly forgettable, you
couldn't lose too much by going to Hollywood Video and paying $3 to
watch it with your sig other, but you would only do that if the
video store was out of copies of "Ronin." If you can, see this
movie for free. This is what your TV Guide would give "one and a
half stars."
"Hard Vice": This rating is
the bottom of the barrel. A movie that only six other human beings
have witnessed, this is the worst movie I have ever seen. A Shannon
Tweed "thriller," it is so bad as to be funny during almost every
one of its 84 minutes, and includes the worst ending ever put into a
movie. Marginally worse than "Cabin Boy", "The Avengers" or
"Leonard, Part 6", this rating means that you should avoid this
movie at all costs, or no costs, EVEN IF YOU CAN SEE IT FOR FREE!
(Warning: strong profanity will be used in all reviews of "Hard
Vice"-rated movies.)